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city of god full movie english version subtitles english
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FADE FROM BLACK: Int. of Don Corleone's home office -dayBONASERA (seated in front of the Don's desk, facing the camera)I believe in America. America has made my fortune. And I raised my daughter in the American fashion. I gave her freedom, but -- I taught her never to dishonor her family. She found a boyfriend; not an Italian. She went to the movies with him; she stayed out late. I didn't protest. Two months ago, he took her for a drive, with another boyfriend. They made her drink whiskey. And then they tried to take advantage of her. She resisted. She kept her honor. So they beat her, like an animal. When I went to the hospital, her nose was a'broken. Her jaw was a'shattered, held together by wire. She couldn't even weep because of the pain. But I wept. Why did I weep? She was the light of my life -- beautiful girl. Now she will never be beautiful again.[Bonasera breaks down. The Don gestures to Sonny to give Bonasera a drink]Sorry...[Bonasera, taking the drink, sips from the shot glass]I -- I went to the police, like a good American. These two boys were brought to trial. The judge sentenced them to three years in prison -- suspended sentence. Suspended sentence! They went free that very day! I stood in the courtroom like a fool. And those two bastard, they smiled at me. Then I said to my wife, "for justice, we must go to Don Corleone."VITO CORLEONE (sitting behind his desk, petting a cat)Why did you go to the police? Why didn't you come to me first?BONASERAWhat do you want of me? Tell me anything. But do what I beg you to do.VITO CORLEONEWhat is that?[Bonasera gets up to whisper his request into Don Corleone's ear]That I cannot do. BONASERAI'll give you anything you ask.VITO CORLEONEWe've known each other many years, but this is the first time you came to me for counsel, for help. I can't remember the last time that you invited me to your house for a cup of coffee, even though my wife is godmother to your only child. But let's be frank here: you never wanted my friendship. And uh, you were afraid to be in my debt.BONASERAI didn't want to get into trouble.VITO CORLEONEI understand. You found paradise in America, had a good trade, made a good living. The police protected you; and there were courts of law. And you didn't need a friend of me. But uh, now you come to me and you say -- "Don Corleone give me justice." -- But you don't ask with respect. You don't offer friendship. You don't even think to call me Godfather. Instead, you come into my house on the day my daughter is to be married, and you uh ask me to do murder, for money.BONASERAI ask you for justice.VITO CORLEONEThat is not justice; your daughter is still alive.BONASERAThen they can suffer then, as she suffers. (then)How much shall I pay you?VITO CORLEONE (stands, turning his back toward Bonasera)Bonasera... Bonasera... What have I ever done to make you treat me so disrespectfully? Had you come to me in friendship, then this scum that ruined your daughter would be suffering this very day. And that by chance if an honest man such as yourself should make enemies, then they would become my enemies. And then they would fear you.BONASERABe my friend --(then, after bowing and the Don shrugs)-- Godfather?VITO CORLEONE (after Bonasera kisses his hand)Good.(then)Some day, and that day may never come, I'll call upon you to do a service for me. But uh, until that day -- accept this justice as a gift on my daughter's wedding day.BONASERA (as he leaves the room)Grazie, Godfather.VITO CORLEONEPrego.(then, to Tom Hagen, after Bonasera leaves the room)Ah, give this to ah, Clemenza. I want reliable people; people that aren't gonna be carried away. I'm mean, we're not murderers, despite of what this undertaker says.CUT TO: Connie's Wedding reception. We hear the music "Connie's Wedding (The Godfather Tarantella)" -dayCUT TO: Connie and Carlo at the head tableCUT TO: The family gathers for a family portraitVITO CORLEONE (to Sonny)Where's Michael?SONNY CORLEONEDon't worry; it's early.VITO CORLEONEWe're not taking the picture without Michael(then, he tells the photographer, in Italian)TOM HAGENWhat's the matter, Sonny?SONNY CORLEONEIt's MichaelCUT TO: The Don meeting some guests outsideCUT TO: Mama dancing with Sonny's twin girlsCUT TO: Connie and Carlo laughing with guests at head tableCUT TO: Long shot of guests dancingCUT TO: FBI arrive at entranceCUT TO: Clemenza dancing with his wifeCUT TO: FBI take license plate numbersCUT TO: Tessio sitting at a table with Carmella & twins, tossing himself an orangeCUT TO: FBI continuing to take license plate numbersCUT TO: Don Barzini arrivesVITO CORLEONEEh, Don Barzini.(then, Vito introduces Barzini to someone, in Italian)CUT TO: Clemenza is dancing, gets tired, and spins off the dancefloor, laughing.CLEMENZA (after dancing)Hey, Paulie! Let me have some wine. Paulie! More wine...PAULIE (OS to someone) Scusi, please(then, in view, to Clemenza, handing him a pitcher quarter-full of wine)Ah, you look teriff' on the dance floorCLEMENZAHey, what are you a dance judge or something? Fatt' i cazzi tuoi ["Mind your own damn business"]Go take a walk around the neighborhood -- do your job.CUT TO: Sonny pinches Lucy Mancini's cheek as he walks towards his wife, SandraSONNYHey Sandra, do me a favor, huh; watch the kids -- don't let'em run wild, all right?SANDRAWell, you watch yourself, all right?CUT TO: Reception continues with Part 2 of Connie's Wedding Song (The Godfather Mazurka). We first see Tessio dancing with a young girl standing on his feet.OS: Eh Tessio, cosa fai? ["What are you doing?"]CUT TO: Don Corleone dancing with his wife, Carmella (Mama)CUT TO: Connie collecting gifts for her bridal purse. Paulie is watching.PAULIETwenty- Thirty-grand. In small bills, cash. In that little silk purse. Madon', if this was someone else's wedding, sfortunato ["Oh, how unlucky I am!"]!BUTTONMAN (from afar, tossing him sandwiches)Hey, Paulie! I got two gobbagool... gabagol [cappicola] an' a prosciutto!PAULIEEh, you stupid jerk!CUT TO: A photographer takes Barzini's picture. Barzini motions to his men to get the cameraPHOTOGRAPHEREh, what's the matter?[The men bring the film to Barzini, who exposes and crumples it]CUT TO: Tom going up to his wife, Theresa, who's sitting at a table at the receptionTOMI have to go back to workTHERESAOh, TomTOM (after he kisses his wife)It's part of the wedding: No Sicilian can refuse any request on his daughter's wedding day.LUCA (rehearsing his lines as Tom passes him)Don Corleone, I am honored and grateful that you have invited me to your home...CUT TO: Sonny goes out into the driveway to see the FBI guys. The Mazurka ends.SONNYEh -- what's this -- Get outta here; it's a private party, go on! (then, to FBI man in car)What's is it? Hey, it's my sister's wedding(then, he spits after being shown a badge. He turns and walks away)Goddamn FBI don't respect nothing [jazz music begins to play from party](then, to photographer)Eh, come here; come here; come here; come here, come here; come here; come here...(then smashes camera, which Paulie kicks, and flips cash to him) [music ends]***Extra dialogue from The SAGA only***NAZORINE (off screen)He was captured by the American army. Then he was sent to New Jersey, as a prisoner of war...***CUT TO: Nazorine and Enzo in Don Corleone's office -dayNAZORINE (seated in front of the Don't desk)But towards the end, he was uh paroled to help with the American uh war effort. So for the last six months he's been working in my pastry shop.VITO CORLEONE (seated)Nazorine, my friend, what can I do for you?NAZORINEWell now that the war is over, this boy, Enzo -- they want to repatriate him back to Italy. Godfather, I have a daughter. You see, she and Enzo...VITO CORLEONEYou want Enzo to stay in this country, and you want your daughter to be married.NAZORINE (stands)You understand everything.[they shake hands, Nazorine turns to leave]VITO CORLEONEBene.NAZORINE (now by the door with Tom Hagen)Mr. Hagen, thank you.(then, turning to Don Corleone)An' wait til you see the beautiful wedding cake I made for your daughter! Ooof! [gestures] Like this! The bride and the groom and the angel...TOM (after Nazorine exits)Who should I give this job to?VITO CORLEONENot to our paisan. Give it to a Jew congressman, in another district. Who else is on the list?CUT TO: Michael and Kay arrive, make some introductions. Kay says hello to one of the guests, and someone says Michael's name. They dance to "Ev'rytime I Look In Your Eyes" as the Don watches from his window -dayCUT TO: The Don's office -dayTOMHe's not on the list, but Luca Brasi wants to see youVITO CORLEONEIs this -- Is this necessary?TOMHe didn't expect to be invited to the wedding, so he wanted to thank you.VITO CORLEONEAll right.CUT TO: Outside of the Corleone residence, Luca sits, rehearsing his lines -dayLUCA BRASI (rehearsing his lines aloud)Don Corleone, I am honored and grateful that you have invited me to your home on the wedding day of your daughter. And may their first child be a masculine child. (then, starting over, which continues throughout the following dialogue)Don -- Don Corleone...KAYMichael, that man over there is talking to himself. See that scary guy over there?LUCA'S VOICE...on the wedding day of your daughter...MICHAEL (after glancing over at Luca)He's a very scary guy.KAYWell, who is he? What's his name?MICHAELHis name is Luca Brasi -- an' he helps my father out sometimes.[Luca stands up, facing Mike and Kay, seemingly coming toward them]KAYOh, Michael, wait a minute; he's coming over here...TOM (appearing in view)Mike! MICHAELOh! TOM (embracing Michael)Heh...! You look terrific!MICHAELMy brother, Tom Hagen -- this is Kay Adams.TOM How do you do.KAYHow do you do, TomTOM (into Michael's ear)Your father's been asking for you(then, to Kay, before he leaves)Very nice to meet youKAYNice to meet you(then, after Tom exits to bring Luca into the Don's office)If he's your brother, why does he have a different name?MICHAELOh, ah, that -- when my brother Sonny was a kid, he found Tom Hagen in the street. And he had no home -- and so my father took him in -- and he's been with us ever since. He's a good lawyer. Not a Sicilian, but -- I think he's gonna be consiglieri.KAYWhat's that?MICHAELThat's um, like a counselor -- an advisor -- very important to the family. (then)You like your lasagna? CUT TO: Luca Brasi in Don Corleone's office -dayLUCA BRASI (after kissing the Don's left cheek)Don Corleone, I am honored and grateful that you have invited me to your daugh-- ter's wedding...(then, after realizing he messed up his rehearsed lines, he fails to recover)...on the day of your daughter's wedding. And I hope that their first child be a masculine child. I pledge my ever-ending loyalty. --[Playing kids run into the room and then are escorted out by Tom](then, as Luca hands Don Corleone a cash-filled envelope)For your daughter's bridal purse.VITO CORLEONEThank you, Luca, my most valued friend.LUCA BRASIDon Corleone, I'm gonna leave you now, because I know you are busy.VITO CORLEONEThank you.[Tom escorts Luca out]CUT TO: Bride & groom dance to "The Godfather Fox Trot"CUT TO: Sonny moves closer to Lucy to whisper into her earCUT TO: Sandra gestures to other women about the size of Sonny's manhood; they laugh; Sandra turns to see Lucy get up to meet SonnyCUT TO: Singing and dancing on stageVOICE (urging Mama Corleone to come onto the stage to sing)Signora Corleone! -- [more]MAMA (laughingly)No -- no -- no! [more](then, once on stage)La stessa storia? ["the same story?"] La stessa storia!(then sings the first verse to "Luna Mezz'a Mare")(then, Mama calls Nazorine to the stage)CUT TO: Sonny goes upstairsCUT TO: An old man continues "Luna Mezz'a Mare" while Nazorine dances and laughs on stageCUT TO: Lucy Mancini goes upstairsCUT TO: The old man who was singing is now dancingCUT TO: Don's office.TOMSenator Cauly apologized for not coming personally -- he said you'd understand. Also, some of the judges. They've all sent gifts. (then, toasting to the Don)Salute![OS: Screaming of joy from the party outside]VITO CORLEONEWhat is that outside?CUT TO: Outside, Johnny Fontane enters the party, signing autographsCONNIE (while running up to Johnny, then hugging him)Johnny! Johnny! Johnny! I love you!CUT TO: Don's office. The Don is looking out the windowVITOHe came all the way from California to come to the wedding; I told you he was going to come.TOMIt's been two years; he's probably in trouble again.VITOHe's a good godson.CUT TO: Bandstand area -dayMAMA CORLEONEJohnny, Johnny! [In Italian: "Sing a song"] (then, in English) Sing a song.[the crowd encourages Johnny, and he gives in]CUT TO: Michael and Kay's table -dayKAYMike, you never told me you knew Johnny Fontane!MICHAELSure... You wanna meet him?KAYHuh? Oh, well, sure!MICHAELMy father helped him with his career.JOHNNY (OS)For my Connie...KAYHe did? How?JOHNNY (OS, singing "I Have But One Heart")"I have but one heart..."MICHAELLet's listen to the song... KAYOh, Michael...CUT TO: Johnny singing to Connie, who's seated. Then PAN the crowd cheering and screaming as Johnny singsJOHNNY (singing, continues)"...this heart I bring you / I have but one heart / To share with you / I have but one dream / That I can cling to / You are the one dream/I pray comes true..."KAYPlease, Michael, tell me.JOHNNY (OS, continues the song)"My darling, until I saw you..."MICHAELWell, when Johnny was first starting out, he was signed to this personal service contract; with a big band leader. And as his career got better and better, he wanted to get out of it. Now, Johnny is my father's godson. And my father went to see this band leader, and he offered him $10,000 to let Johnny go. But the band leader said no. So the next day, my father went to see him; only this time with Luca Brasi. And within an hour, he signed a release, for a certified check for $1,000.KAYHow'd he do that?MICHAELMy father made him an offer he couldn't refuse.KAYWhat was that?MICHAELLuca Brasi held a gun to his head, and my father assured him that either his brains -- or his signature -- would be on the contract. (then)That's a true story.(then, after we see Johnny ending the song)That's my family, Kay. It's not me.CUT TO: Bandstand area -dayMAMA (OS)Bene! Bene![The song is finished, and we hear applause. The Don goes out to meet and hug Johnny, and they, and other guests, toast. The Mazurka music and dancing continue]VITO (to the surrounding guests)My godson comes all the way from California...give him a glass of wineVOICE (OS)Salute!JOHNNY (whispers into the Don's ear that he wants to talk to him)VITO CORLEONEI'll take care of it.(then, to Tom)Tom, I want you to find Santino. Tell him to come to the office.[Tom looks up, as if knowing what Sonny's up to]CUT TO: Michael and Kay's table at the receptionMICHAEL (with Kay, gets tapped in the head by Fredo)Oh!(then, noticing Fredo)How are you, Fredo?(then)Fredo -- my brother Fredo -- this is Kay AdamsKAYOh, hiFREDO (apparently drunk)How'ya doing?(then, after Fredo kisses Kay on the cheek)This is my brother, Mike.MICHAELAre you having a good time?FREDOHuh? yeah...(then)This your friend, huh?CUT TO: Johnny Fontane in the Don's office. -dayJOHNNYI don't know what to do. My voice is -- is weak. It's weak. Anyway, uh, if I had this part in the picture, ya'know, it puts me right back up on top again. But this, uh -- this man out there, he won't give it to me; the head of the studio.VITO CORLEONEWhat's his name?JOHNNYWoltz -- Woltz. He -- He won't give it to me -- and ah, he says there's no chance. No chance.CUT TO: Tom looking for Sonny inside the houseTOM (at the bottom of the stairs)Sonny? Sonny?[Sonny and Lucy are going at it, standing against a door in an upstairs bedroom. Tom goes upstairs, then knocks on the bedroom door]TOMSonny? Sonny you in there?SONNY (stopping the action)What?TOMYour old man wants to see you.SONNYYeah, one minute.[Tom smiles, and walks away, as Sonny and Lucy continue]LUCYOh, Sonny!CUT TO: A woman singing Italian song, opera-like, on the stage -dayCUT TO: The Don's officeJOHNNY (as Tom quietly enters the Don's office)A month ago he bought the movie rights to this book. A bestseller -- and the main character, it's a guy just like me. I uh -- I wouldn't even have to act -- just be myself. Oh, Godfather, I don't know what to do. I don't know what to do.VITO CORLEONEYou can act like a man!(then, after slapping Johnny on the face)What's the matter with you? Is this how you turned out? A Hollywood finocchio that ah cries like a woman? (then imitating Johnny, as Tom giggles)What can I do?! What can I do?!(then)What is that nonsense? Ridiculous.[Sonny enters the room]VITO CORLEONE (to Johnny, after glancing to see Sonny enter)You spend time with your family?JOHNNYSure I do.VITO CORLEONE (to Johnny, but toward and about Sonny)Good. 'Cause a man who doesn't spend time with his family can never be a real man.(then, to Johnny)Come're. (then)You look terrible. I want you to eat. I want you to rest a while. And in a month from now, this -- Hollywood bigshot's gonna give you what you want.JOHNNYIt's too late, they start shooting in a weekVITO CORLEONEI'm gonna make him an offer he can't refuse.(then)Now you just go outside and enjoy yourself, and ah, forget about all this nonsense. I want you to leave it all to me.JOHNNY (exiting)All rightVITO CORLEONE (after Johnny exits)Well...CUT TO: The cake comes out. Nazorine, the baker, takes a proud bow. The Tarantella plays again.CUT TO: The Don's officeVITO CORLEONEWhat time does my daughter leave with the bridegroom?TOMIn a few minutes, right after they cut the cake.(then, as we hear clinking glasses coming from outside, which continues)Now your new son-in-law; give him something important?VITO CORLEONENever. Give him a living, but never discuss the Family business with him. What else?TOMVirgil Sollozzo called. Now we're gonna have to give him a day sometime next week.VITO CORLEONEWe'll discuss it when you come back from California.TOM (laughing)When am I going to California?VITO CORLEONEI want you to go tonight; I want you to talk to this -- movie bigshot, and settle this business for Johnny. Now, if there's nothing else, I'd like to go to my daughter's wedding.***Extra footage from The TRILOGY & SAGA***TOMUh -- the hospital called. Um --Consiglieri Genco -- he's not gonna last out the night.VITO CORLEONESantino, go tell your brothers that I went them to come with me to visit Genco to pay their respects. Tell Fredo to drive the big car... outside now.SONNYUh, Pop... Michael?VITO CORLEONEAll my sons***CUT TO: Family portrait scene in the yard [the clinking glasses have stopped] -dayMAMA (seeing Carlo and Connie kissing)Carlo, we're gonna take the picture...MICHAEL (as he goes to get Kay for the photo)Wait a minute...KAYNo, Michael, not me.PHOTOGRAPHEROkay, that's it. Just like that; now, hold it.CUT TO: Connie and the Don dance to "The Godfather Waltz (Come Live Your Life With Me)"***Extra footage from The TRILOGY & SAGA***CUT TO: Tom arrives in Hollywood by plane, takes a cab, then walks by foot through Woltz International Pictures. Music: "Manhattan Serenade" plays -day***Extra footage from The TRILOGY & SAGA******JANIE'S MOTHER (after Janie kisses Woltz)Ah, isn't that nice...WOLTZ (who's just walked toward Tom)All right, start talking.TOMUh, I was sent by a friend of Johnny Fontane's -- His friend is my client, who'd give his undying friendship to Mr. Woltz, if Mr. Woltz would grant us a small -- favor.WOLTZWoltz is listening.TOMGive Johnny the part in that new war film you're starting next week.WOLTZ (laughs, then)And ah, what favor would ah your friend ah grant Mr. Woltz?TOMYou're gonna have some union problems; my client could make then disappear. Also, one of your top stars has just moved from ah marijuana to heroin...WOLTZAre you trying to muscle me?TOMAbsolutely not.WOLTZNow listen to me, you smooth-talking son-of-a-bitch! Let me lay it on the line for you and your boss, whoever he is. Johnny Fontane will never get that movie! I don't care how many -- daigo guinea WOP greaseball gumbahs come out of the woodwork!TOMI'm German-Irish...WOLTZWell let me tell you something my Kraut Mick friend, I'm gonna make so much trouble for you, you won't know what hit you!TOMMr. Woltz, I'm a lawyer, I have not threatened you.WOLTZI know almost every big lawyer in New York, who the hell are you?TOMI have a special practice; I handle one client -- Now you have my number; I'll wait for your call -- By the way, I admire your pictures very much.[Tom shakes Woltz' hand, then leaves]WOLTZ (to a staff member)Check him out...CUT TO: Later, Tom and Woltz walking around Woltz' estate. "Manhattan Serenade" plays again. -early eveningTOMThis is really beautiful.WOLTZWell, look at this. It used to decorate the palace of a king.TOMOh, yeah; very nice.WOLTZWhy didn't you say you worked for Corleone, Tom? I thought you were just some cheap two-bit hustler Johnny was running in trying to bluff me.TOMI don't like to use his name unless it's really necessary.WOLTZHow's your drink, Tom?TOMFineWOLTZHey, come on over here with me; I wanna show you something really beautiful. You do appreciate beauty, don't you?(then)There you are, $600,000 on four hooves. I bet a Russian Czar never paid that kind of dough for a single horse.(then, toward the horse)Khartoum. Khartoum.(then, to Tom)I'm not gonna race him, though. I'm gonna put him out to stud. TOMHe's beautiful.WOLTZ (to stablehand)Thanks, Tony.TONYYou're welcome...WOLTZ (to Tom)Let's get something to eat, huh?CUT TO: Woltz' dinner table -early eveningTOMMr. Corleone is Johnny's godfather. To the Italian people, that's a very religious, sacred, close relationship.WOLTZI respect that; just tell him he should ask me anything else. But this is one favor I can't give him.TOMHe doesn't ask a second favor once he's been refused the first, understood? [Gaffe: Waiter fills Tom's wine glass twice, shown in two camera angles]WOLTZYou don't understand. Johnny Fontane never gets that movie. That part is perfect for him; it'll make him a big star. And I'm gonna run him out of the business, and let me tell you why.(then, after he stands)Johnny Fontane ruined one of Woltz International's most valuable proteges. For five years we had her under training. Singing lessons; acting lessons, dancing lessons. I spent hundreds of thousands of dollars on her. I was gonna make her a big star! And let me be even more frank, just to show you that I'm not a hard-hearted man, and it's not all dollars and cents. She was beautiful; she was young, she was innocent. She was the greatest piece of ass I ever had, and I had'em all over the world! And then Johnny Fontane comes along with his olive-oil voice, and guinea charm. And she runs off. She threw it all away just to make me look ridiculous! And a man in my position can't afford to be made to look ridiculous! Now you get the hell outta here! And if that gumbah tries any rough stuff, you tell him I ain't no band leader! Yeah, I heard that story....TOMThank you for the dinner and a very pleasant evening. If your car could take me to the airport; Mr. Corleone is a man who insists on hearing bad news immediately. [Tom nods, then exits]***Extra footage from The TRILOGY & SAGA******CUT TO: pan of exterior of Woltz' estate, music is a variation of the Title Theme, then we see the interior of Woltz' bedroom. Woltz awakens in a pool of blood, and finds Khartoum's severed head in his bed; and SCREAMS ah - ah - ah - ah - ah! -dawnDISSOLVE TO: close-up of Vito Corleone's face; he nods -eveningVITO CORLEONEYou're not too tired, are you, Tom?TOMNo, no. I slept on the plane.(then, as we see Sollozzo entering the Don's office from the street)I have the Sollozzo notes here. Now -- Sollozzo is known as 'The Turk.' He's supposed to be very good with a knife, but only in matters of business or some sort of reasonable complaint. Uh, his business is narcotics. He has fields in Turkey where they grow the poppy. And in Sicily he has the plants to process them into heroin. Now -- he needs cash, and he needs protection from the police, for which he gives a piece of the action -- I couldn't find out how much. The Tattaglia family is behind him here in New York. Now they have to be in it for something.CUT TO: Sonny introducing himself to Sollozzo, shaking hands -daySONNYSonny Corleone...CUT TO: Back to Don, Sonny and Tom before the meeting -eveningVITO CORLEONEWhat about his prison record?TOMTwo terms. One in Italy, one here. He's known as a top narcotics man. VITO CORLEONESantino? Whattaya think?SONNYThere's a lot of money in that white powder.VITO CORLEONETom?TOM [Sollozzo scenes still intercut]Well, I say yes. There's more money potential in narcotics than anything else we're looking at. Now if we don't get into it, somebody else will. Maybe one of the Five Families, maybe all of them. Now with the money they earn, they can buy more police and political power; then they come after us. Now we have the unions, we have the gambling; an' they're the best things to have. But narcotics is a thing of the future. An' if we don't get a piece of that action, we risk everything we have -- I mean not now, but ah ten years from now.SONNYSo, what's your answer gonna be, Pop?CUT TO: Sollozzo meeting in Don Corleone's Genco office. Scene includes the Don, Sollozzo, Tom, Sonny, Fredo, Clemenza, and Tessio sitting in Room #2 -daySOLLOZZOBene. Don Corleone. I need a man who has powerful friends. I need a million dollars in cash. I need, Don Corleone, those politicians that you carry in your pocket, like so many nickels and dimes. VITO CORLEONEWhat is the interests for my family?SOLLOZZOThirty percent. In the first year, your end should be three- four-million dollars. And then it would go up.VITO CORLEONEAnd what is the interest for the Tattaglia Family?SOLLOZZO (to Tom)My compliments.(then to Don Corleone)I'll take care of the Tattaglia's, outta my share. VITO CORLEONESo I receive thirty percent for finance -- political influence, and legal protection, that's what your telling me? SOLLOZZOThat's rightVITO CORLEONEWhy do you come to me? Why do I deserve this generosity?SOLLOZZOIf you consider a million dollars in cash just finance, te salute, Don Corleone.VITO CORLEONE (gets up to pour Sollozzo another drink)I said that I would see you because, I heard that you're a serious man, to be treated with respect. (then, after sitting)But uh, I must say "no" to you -- and I'll give you my reasons. It's true, I have a lot of friends in politics, but they wouldn't be friendly very long if they knew my business was drugs instead of gambling, which they rule that as a -- harmless vice. But drugs is a dirty business.SOLLOZZODon Corleone...VITO CORLEONEIt -- makes -- it doesn't make any difference to me what a man does for a living, understand. But your business is ah -- a little dangerous.SOLLOZZOIf you're worried about security for your million, the Tattaglia's will guarantee it.SONNYAw, you're telling me that the Tattaglia's guarantee our investment?VITO CORLEONE (to Sonny)Wait a minute... [Clemenza and Tom look at each other, realizing Sonny's faux pas. Sollozzo notices]VITO CORLEONE (to Sollozzo)I have a sentimental weakness for my children, and I spoil them as you can see; they talk when they should listen. But, anyway, Signor Sollozzo, my no is final, and I wish to congratulate you on your new business, and I know you'll do very well; and good luck to you -- as best as your interests don't conflict with my interests. Thank you. [the group begins to leave the room: Sollozzo, Clemenza, Tessio, then Fredo]VITO CORLEONESantino, come're. Whattsa matter with you? I think your brain is going soft from all that comedy your playing with that young girl. Never tell anybody outside the family what you're thinking again!(then)Go on...(then, after Sonny exits)Tom...(then, after a huge flower arrangement appears at the office entrance)What -- what is this nonsense?TOMIt's from ah Johnny, starring in that new ah film.VITO CORLEONEAh -- Well, take it away.TOM (to person holding flowers)Take it over thereVITO CORLEONEAnd uh, tell Luca Brasi to come in. This is for personal educational use only, and is not to be reposted, reproduced or sold. This document is copyright 1972 Paramount Pictures. NOT TO BE POSTED ON ANY OTHER WEB SITE 2ff7e9595c